#dev interview

[jessyabeb]

check out my interview with the fabulous @insertdisc5 about in stars and time and other things like life and culture and mental health and and and

[amaryllis-sagitta]

So what you mean is a teleological approach to motive where a person's vice "ripens" in the right circumstances created outside them, and individuals with esoteric insight and the right persuasion abilities (such as the Executors) can still create circumstances to bring these vices out if they wish so? And once someone already "wills what they will", after facing this knowing and powerful adversary, they will do as expected because "it was already inside them"? Is that what you're trying to say? That The Executors' long game is to make an external locus of choice feel like it's internal because it strengthens existing predispositions?

Show me someone resisting these "enhanced" judgments and desires because they used another source of motivation and I'll believe you. For now, the implication that someone sees the end of the long game changes the veneer, but not the pessimism at the heart of this reveal. The enemy still remains a level above cause and effect when others are subjects to them.

[exhausted-archivist]

Evolution of DAI

I was going back through some news posts made by BioWare back during the marketing and launch of DAI and found some interesting things. In post of Exploring the Dales,

Emprise du Lion, the Exalted Plains, and the Emerald Graves used to ve one continuous map that they broke up to allow for more variation ad drastic environmental differences like what we ended up with. Dean Roskell, a senior level designer, explains that it wouldn't have felt natural to transition from a lush forest to frozen highlands, and that they needed more separation. Additionally, due to the three separate story arcs they had to consider, they split them up to allow you to play them in any order or even skip one. It aided in bringing balance to the levels in the game.

At one point, Emprise du Lion had a version where the villagers had more freedom. Meaning they had farms up and running, merchants trading; but this was changed because it didn't communicate that they were a group of people near the point of accepting death at the hands of the red templars. Making it a frozen landscape improved the narrative that it was an area on the brink of death, combining the red templar threat with the freak blizzard.

Ser Michel and Imshael being added to the area of Emprise du Lion was a decision made by the level design team as they wanted to bring in links from The Masked Empire novel that Patrick Weekes wrote.

The original starting point of the level of Emprise du Lion was actually where the three high dragons roost. When they moved the village down by the lake they had a large area they wanted to do something with and landed on three high dragons. Reportedly, it was three dragons instead of one really difficult one due to someone saying they couldn't do it.

Andrew Farrell was the level artist for all three Dales levels and came up with the idea of old coliseums surrounded by hot springs.

[sable-roteuth]

PEARLINA NATION HOW WE FEELING TODAY

[brightoakgame]

Spooktober Streaming + Dev Q&A

Hello again, dear friends! I'm still working my way through entries before assembling a comprehensive list of my personal favorite games from this year's jam, but if you're itching to get a taste of what is out there, my lovely partner MisterShins is streaming Spooktober Visual Novels every Wednesday this month, followed by interviews with each game's developers.

For reference, here's the VOD of his stream of Tell It Slant (interview starts at roughly the 3:19 mark):

Some of the other fantastic games he has streamed so far are:

Sunk (stream VOD here, with Incredulous Interactive dev interview at around the 2:18 mark)

A Witch is Getting Married (stream VOD here, with Featherboy and Eli Hersh interview at about the 1:26 mark)

Tonight (10/16) at 10pm Pacific, he will be streaming the monstrously stellar game The Stars Under Lockehurst, as well as the delicious, bite-sized Paddy Makes Breakfast. Each game will be followed with a dev interview, so please feel free to tune in and ask any questions you may have!

Happy Wednesday to you all, and I hope you're enjoying the spooky season!

B.

[amaryllis-sagitta]

Tarot time because why not!

(Card decks: Spiral Tarot, The Wild Unknown)

Nine of Swords

Primarily, it represents mental anguish, stress and anxiety that overwhelm and adversely affect life. In this specific card, the stress is caused by external factors (unlike the Eight of Swords, where the source is presumed to be self-sabotage). In traditional Raider-Waite, the swords are aligned from left to right, suggesting unprocessed problems of the past casting shadows on the future. It can also mean, more palpably, insomnia or sleepless nights - which seems apt as an allusion to Titans having lost their Dreams and their spiritual peace.

(Also, Wild Unknown, you didn't have to have that jawbone on the card lol)

The Hierophant

Represents the aspect of power that is institutional and often legitimized in divinity, that manifests itself as traditional religion, dogma and moral authority (unlike The Emperor who seizes the mundane aspects of power). In both presented decks, the Hierophant holds a key that symbolizes the mandate of knowledge and moral authority. The Hierophant provides a structure and purpose that places standards and expectations on the individual. However, the card is also linked to influences that are resistant to change, stifling, defending status quo for its own sake. It's interesting that Solas is placed there after the entire ordeal, remaining effectively the last stand-in for the Evanuris. No matter how hard he denies the absolute nature of the divine position, he is there, left to bear the responsibility for the state of the world.

(I believe the inclusion of the raven/crow and thunder in The Wild Unknown variant alludes to Odin, though to be honest that bird looks more like a ruffled starling to me)

The Tower

The Tower is the staple card of distaster. But what is common about its interpretations, the disaster is inevitable in the long run because the crumbling construction was built on questionable or feeble foundations. More spiritual interpretations view the Tower as "productive destruction" that purifies what no longer can survive through fire and enforces tough lessons. Here, we're connected with the implied teleological insight of the Executors and their ability to subtly manipulate history towards desired outcomes. At the same time, we're reminded of Flemeth's remarks of a greater fate, as if she had the same kind of insight. All in all, the fatalistic aura of the setting intensifies: was Thedas doomed all along, and everyone's "left to find they're out of time, left to watch it all unwind"?

Happy Dragon age Day, I have a new DA Piece up today! Made for a new interview/piece with Jepler and Corinne about end game decisions, lore, the future, etc.

The writer/interviewer and I brainstormed three tarot cards to inspire each section of this piece as well as the past, present, and future like you would see in a tarot reading. The death of the titans is 9 of Swords and represents the past. Solas is the Hierophant and represents the present. And the Executors are The Tower and represents the future.

Overall im really pleased with how this turned out despite the fact that I had like 2 days to do this one again b/c I was going to work on it over thanksgiving and then... just did not lol. Tried my best to match the style of Solas' murals in DATV and had a great time with all the little details.

Also huge shoutout to the folks who made the Elven font, I had a great time using it!!

[semisentientseafood]

I knew that nintendo very likely wouldn’t outright say something like “Yes these characters are gay” but the way they were so insanely unsubtle about Pearl and Marina’s Definitely more-than-just-friends relationship in side order made me so happy to see, like there is SO much stuff that you just cannot come up with a heterosexual explanation for.

Marina’s sheer amount of swoony dialogue, dev diaries, her drawings of pearl, her desktop background WHO is doing all those things for their “best friend” . Pearl’s also shown to be concerned for and protective of Marina as well as be supportive of her infodumping about her interests

Even some smaller and potentially not-even-totally-intentional things just Work perfectly as more subtle details such as Marina’s dev diary being represented by an infinity sign with a rainbow gradient super similar to the symbol for autism advocacy, or the flags near cipher’s siftings with similar coloration to the lesbian flag (more noticeable with a certain filter in camera mode)

In conclusion my god these cephalopods gay good for them

[the-legendaryphoenix]

A lil write up I did on a section of a 2016 Mystery Dungeon dev interview

Tl;dr for all of those not on reddit... had Chunsoft been a bit larger at the time it made dragon quest, there could have very well been a Zelda Mystery Dungeon link to article: https://news.denfaminicogamer.jp/projectbook/dungeon#i-1 (language is japanese.)

[interact-if]

Black History Month Author Spotlight: Lapin

To kickstart the Black History Month Author Spotlight series, I'd like to introduce everyone to our first IF author, Lapin (@harlequinoccult)!

(I had a ton of fun reading Lapin’s answers, and I’m sure you will too! Read on for a celebration of ‘weird,’ Lapin’s Black southern gothic / horror influences, and how a D&D game could lead to interactive fiction!

Lapin, thank you again for your candid, humorous responses, I am very honored to have gotten to know you better :D)

Author: Lapin

Black creole and cajun, artist and writer, and wannabe game developer

Games: Slaughter Squad (Horror, Slasher, Romance)

Synopsis: YOU HAVE A HUNGER A HUNGER THAT YOU’VE BEEN NEGLECTING For the most part, you’re a pretty normal mid-20-something year old who lives in a shitty apartment in the city. Well, except for one thing. Your.....”Associate” Carter “Dollface” Abernathy. Who is a murderer, and quite frankly, a sloppy one at that. And you’re the accessory to his crimes. No matter what way you’ve gotten to know the man, or how you feel about him, you’re stuck with him, and stuck with just being his little “helper” ........Or are you? Especially when you’re suddenly given a....Unique opportunity.

Games: The Valley of Luck (Fantasy, Adventure, Romance)

Synopsis: The Valley of Luck was said to be a myth. Something that grandparents would tell their grand-kids around a campfire. Even those who worshiped Lucian, The God of Luck, thought it nothing but an old wives tale. Until, one day, a man with an arm made of solid gold started telling people that he'd been there, that he'd seen the Valley. Word spread quickly, and suddenly, every continent was alight with the rumor that The Valley was real, that it could give you all the riches you could ever want, and then some. However, your quest, whether related to The Valley or not, will lead you down a much stranger path.

Quote from the interview:

My upbringing was a bit odd. I am the youngest of three, two older brothers, one being a half brother, in a black military household… Middle school Lapin was a jock. But, lo and behold, the internet started getting more popular and that kid's brain exploded from internet exposure, for better and for worse. … I feel that there is a specific and niche demographic of people like me that were raised by early 2000s to 2010s internet. And on that era of internet, were creepypastas, online horror, early ARGs….I ADORED internet horror, which was my gateway into classic horror, funnily enough. Slaughter Squad, in my eyes, is a letter to that black kid that wanted to be weird. Be weird, be messy, see a fucked up movie, get more out of life.

Read on for the full interview!

Tell me more about yourself! What are some things new readers or long-time readers might not know about you?

Both parts of my family are 100% from Louisiana, New Orleans and the deep south. My moms side have been there so long, we have two streets named after us.

Can you tell me a bit about what you’re working on right now and your journey into interactive fiction? What inspired the game/story you’re currently writing?

My main project, of course, is Slaughter Squad. I love slasher movies and horror media in general. But what I always noticed with horror/romance, at least in the visual novel scene, is that the main character is nearly always the one getting screwed over, so I thought, well, what if the bad guys actually are your peers? How would this dynamic change if they don't see you as prey? I never thought that premise would appeal so much to so many but hey, I can't complain! I adore seeing people having fun with the silly little concept I had.

Now, my secondary project, The Valley of Luck. Some may not know this, but this story is based off of a D&D campaign I DM'ed back in the day with my friends. All the ROs are NPCs that my friends had, or where going to encounter. I won't lie, I did shy away from it and changed some things when the whole debacle with Wizards of the coast (the company that "owns" D&D) Where making some...questionable decisions. But this story is my baby. My first born. This one has been in the works far longer than SLSQ and has a lot of background lore that I hope I get the opportunity to share.

I do have a few other projects bumping around, One I am particularly excited for, But that one will have to wait a little bit~

How has your identity, heritage/background, upbringing, or personal experiences influenced your storytelling or writing process? OR How does your work feature aspects of your identity / experience?

My upbringing was a bit odd. I am the youngest of three, two older brothers, one being a half brother, in a black military household. I never felt that I truly had a sense of identity until that household inevitably split up. Everyone talks about being the weird kid in middle school, but no one mentions being the "normal on the outside but wants to be the weird kid so bad its painful on the inside but can't because you were told that stuff is 'white people shit' " type of kid.

Middle school Lapin was a jock. But, lo and behold, the internet started getting more popular and that kid's brain exploded from internet exposure, for better and for worse. I was a little shitter on the internet, I can't lie about that, as much as I want to. But I feel that there is a specific and niche demographic of people like me that were raised by early 2000s to 2010s internet. And on that era of internet, were creepypastas, online horror, early ARGs....I ADORED internet horror, which was my gateway into classic horror, funnily enough. Slaughter Squad, in my eyes, is a letter to that black kid that wanted to be weird. Be weird, be messy, see a fucked up movie, get more out of life.

What does your writing process look like? Any rituals or habits? Any tips, tricks, philosophies or approaches that have worked very well for you?

Let your characters speak through you like you're being possessed by a demon.

What’s the one thing you’re really proud of that you’ve written so far? Do you have a favorite character or scene that you’ve written?

I am so serious.

is it wildly inconvenient? yes. does it help your writing a ton? also yes. Doing Roleplay with friends is a fantastic way to learn to do this. being a DM for a D&D game has basically made it so characters can simply speak from my brain at any given moment. It's also annoying because some of these people do NOT shut up. Learning how a character would react on the fly does wonders for dialogue writing and character analysis. Roleplay with your friends, or hell, strangers who are down to clown that could become friends. Be cringe. be free.

I love the opening to Slaughter Squad and if you told me to rewrite it with a gun to my head I would tell you to shoot me. I love how punchy it is and it came out exactly how I wanted it to. I don't play favorites with characters (<- lying) but my two favorites to write are the stinky little bastard cat Sterling in TVoL and.....Carter, from SLSQ. I love writing complete bastards. One being lighthearted and gets a pass for it because he's just a kitty cat and the other you want to actively beat his face in with your bare hands. It's SO funny.

If you were to say one thing to your readers, other authors, and/or the interactive fiction community: what would it be?

Write. Write it now. Doesn't have to be good doesn't have to be polish all that matters is that you WROTE IT. All the bells and whistles can come later!!!! Stop thinking about the later and think about the now!!!! Write what you love and never give two shits about if it's cringe!!! Be excellent to each other!!!

Any books, music, movies etc. you’re obsessed with at the moment, or which changed your life (or perspectives on something)?

GO LISTEN TO CHROMAKOPIA BY TYLER THE CREATOR RIGHT NOW!!!!!!!!!

This-or-that segment: (bold = Lapin’s pick)

Coffee or tea?

Early mornings or late nights?

City or countryside?

Angsty or Cozy romances? (Or enemies-to-lovers or best-friends-to-lovers?)  

Steady progress or frenzied binge-writing followed by periods of calm?

Summer or Winter?

First drafts or editing?

Introvert or extrovert?

Plotter or pantser?

Characters or plot first?

Lapin’s custom “this-or-that” pairing: Rain or Shine

More on Black Southern Gothic:

Black southern gothic can vary a lot, but when I think of it, I think of old semi abandoned wood shotgun houses in the swamp, all white tiny baptist churches where the white paint is peeling from the heat and humidity, riding horses down a dirt paved street while people still ride by in their old busted down 1960s chevys. Old plantation houses that have been reclaimed by the swamp. The dark, humid heat of the night on a street with no streetlights. Every house you see is absolutely haunted by something and not just ghosts. Voodoo and hoodoo is different than what people will tell you it is.

Sassafrass, Cypress and Indigo by Ntozake Shange, Sing, Unburied, Sing by Jessamin Ward, and anything by Toni Morrison 100%.

[dyke-in-crisis]

these divas are having a sims off

[rassicas]

i have one video i've been wanting to make about a certain splatoon lore topic so badly for some years now and i wanna do it soon. but every time i think about it i can feel myself going insane. there's so much i need to say. how do i structure this in a way that makes sense. does it even make sense at all. to me? god help me

[arimiadev]

this month I got to sit down with @blacktabbygames to talk about their approach to developing Slay the Princess and how they market visual novels!

read it here:

[lizzybeeee]

THE ENTIRE DRAGON AGE AMA IS A DUMPSTER FIRE

They avoided all the high-rated questions with genuine criticism (not blind hate!) and went for questions that were safer and allowed them more leeway. After that awful IGN article and that treatment of Davrin...God, just put it down. I have no faith that BioWare will be able to continue Dragon Age or Mass Effect with the respect it deserves.

Edit - They had an opportunity for genuine discussion with fans who were concerned/unhappy with the way Veilguard was -> people unhappy with the story, the marketing, the lack of 'RP' options in an RPG, etc... Instead they just doubled-down even more, avoiding those critical questions, with no real acknowledgement that fans have very reasonable problems with this game.

Some Highlights & My Initial Ramblings Below:

The Executors

"They attempt to manipulate events in the most subtle way they can manage."

So, very clear that they're not simply observers of what is happening in Thedas: they're manipulators...

"Magical Illuminati Confirmed! Lizard People Did 9:30 Dragon!!!!"

All that complexity of character -> his hatred of Orlais, his experience as a general, his relationship with Cailain, and the influence of Howe...all diminished. Any influence from a shadow cabal is too much influence - all the humanity of Loghain's choices/consequences...God, what a waste.

Not to mention what this does to other events/characters in the series -> they imply they've been intervening as far back as the magisters breaking into the golden city. I do not find this compelling! At all!

2. Solas and the Executors

Oh my god, he sounds like such a fucking Mary-Sue I'm so sick of Solas at this point -> "Actually, I know more about the Executors than anyone alive - not even the rest of the Gods know as much as me."

("I'm also, like, an Ancient Elven God, I'm responsible for the Blight and the Veil, and I kind of locked the Gods away cause they were evil - but, like, I'm really sad about it. Also the Herald of Andraste thinks I'm cute <3")

<- Previous comments: massive oversimplification, obviously

But I miss the days when not everything was about Solas. It removes so much interest and wonder in this world when the fucking egg is behind it all. I loved him as a character in DAI and now I just feel this bone deep tiredness when I see his stupid face.

Don't you dare threaten to bring Gareth David-Lloyd back -> keep him away from this mess!

3. The Fate of the Rest of the Evanuris

Yay. I'm so looking forwards to "The Return of the Elves: Electric Boogaloo 2" - it was done so well the first time!

"It was the elves all along!"

The only character with any potential to be interesting is Andruil*, but how they handled all this lore was done so shallowly and so poorly that I find it hard to give a damn anymore. Not to mention that the game literally mentions Ghilan'nain mourning Andruil - so is this a retcon/redirection/or have you confirmed that one of the most interesting members of the Evanuris' is dead?

*interesting in that she's established in lore to potentially have a tonne of really cool things attached to her (the void armour, the great weapon she has etc...). The rest of the evanuris are nowhere near as well established as she is.

4. Southern Thedas, Sociopolitical Issues, and Future Games

NOW YOU WANT TO INCORPORATE GEO-POLITCAL EXPLORATION?? You avoided any meaningful discussion like the plague in DATV but now you're acknowledging it?? OkaY. okAy.

They couldn't even give us the long-term ramifications of the mage/templar war how the hell am I supposed to believe that they will be able to pull off 'elven gods are real' etc...? For a game series that totes : your choices matter -> they have not proven that they have been able to show that in a meaningful way. They literally cleaned the slate with this game to avoid doing that.

So, what, does that mean that the Veil is never going to come down now? Or are you going to have the entirety of Thedas build themselves up again just to have the Veil fall and send things into chaos once more?

What a fatalistic, miserable outcome for Thedas -> why the fuck would anyone bother to live in Thedas if you're going to keep throwing meteorites at them? By all means, change/conflict has to happen for the series to move forwards...but this is just so miserable at this point.

(The Elder Scrolls, at least, gives people room to breathe between crisis' or sets them up in different areas of the world! Bethesda treats past installments/your decisions with greater respect than DATV does.)

Even, then, if the Veil remains up, that means that the spirits are just trapped in the Fade being miserable for the rest of existence. The entire series has been humanizing spirits, from Justice to Cole, and now they're just throwing in the towel? I guess they can stay in the fade now! Problem solved!

What do you mean the Evanuris are not a threat anymore? IN A PREVIOUS QUESTION YOU LITERALLY SAID SOME ARE STILL POTENTIALLY KICKING AROUND THE BLACK CITY?

Weakened, sure, but Solas was 'weak' in DAI. You're giving yourself an out if you decide to go back to the elves again. Please do, I'd love more content on how the elves alone fuck everything up!

5. More Southern Thedas, the Chantry, and Tevinter

Thanks for the confirmation that things in the South are so fucked up that they have to work alongside the 'Slave Capital' of the known world to rebuild!

Slavery was one of the biggest things that caused a rift between the north/south chantry system -> one of the reasons why there were exalted marches -> a uniting belief in the south is that slavery is fucked. They didn't address slavery in DATV - what hopes are there that they will do so effectively in a future game?

Don't tell me that Dorian fixes everything off screen either -> either he solves slavery off-screen or the south is being forced to work the slaver-capitol because their land is nuked and they have no ground to stand on.

I'm so thrilled.

6. Solas and the Idol / The Blight

I will never get over Solas fucking curing the Blight off-screen and no one asking questions/giving a shit. Hello?? The Hero of Ferelden would like a word with you???

So the Blight is calcified in Minrathous, at least, but everywhere further away is still fucked! Once more, the South is doomed to suffer from the long-term effects that regular blights have -> not to mention the red lyrium (which still exists according to the AMA) across the south.

I don't care; it's lame. It's a lame way to conclude the blight and I hate it. This game did not earn 'cure the blight from thedas' at all. You could have had us learn how to soothe a titan and see how that can diminish the blight but you did it this way.

Another 'magical ritual' because Solas has such a good track record with them lmao.

7. The Agents of Fen'Harel / The War with the Qun / The Crows

Turned him against the idea of being a leader???!!

Fen'harel's Call to the Elven People After the events at the Winter Palace, elves left the Inquisition under mysterious circumstances, as did elven servants across Thedas. None could say where they went, but those who believed the Inquisitor's story about Fen'Harel wondered just how large the Dread Wolf's forces were... and what the ancient elven rebel had planned. This is from the Trespasser Epilogue, Epler!

Your concept art for Joplin literally had him as a leader of a faction of elves. Just be honest that it's a retcon and you changed course - don't try to save face with this reasoning.

About the Antaam: "We needed some big mindless bad guys to fight and so we did this because we didn't want to address the Qunari War/Invasion we set up in Trespasser".

You had to canonize Sten as being alive and Arishok in order for this reasoning to work -> you didn't even come up with an alternative Arishok to take Sten's place.

Yeah, the exchange that set up the Crows we see in the game as "idealists" did not make the game. I can confirm that!

I'm sorry, "Caterina kept Illario in check?" as in, 'kept him an idealist and not the usual Crow'? The woman that beat him with a cane and starved him and his cousin to train them as Crows. Fuck off.

lmao -> tell me you're coming up with this on the spot without telling me that you're coming up with this on the spot.

8. World State Discrepancies - Isabela

Outright ignores the very real criticism about the marketing from this game and World States.

"there are absolutely places where we unintentionally suggested there was a hard canon (...that Isabela is always assumed to have joined Hawke's party.)"

Unintentional?

Excuse me, you have her talk about Merrill and the Kirkwall Crew as family - that was not unintentional in the slightest. Not to mention Sten, Blackwall, Sera, and Cole are canonized as being part of your world state no matter what.

You had a story you wanted to tell - one that only fit a few world states - and you went ahead with it and disregarded those choices. Don't try and lie about this all being a big misunderstanding.

------------------------------------------------------------------------------

Edit - They could have taken the opportunity to address the very reasonable criticisms that people had with this game but they cherry-picked questions and avoided/minimized anything remotely critical.

They could have provided us some insight into the game development time but each time they approached the topic they settled for "we're happy with what we delivered and it was well optimized."

They had an opportunity to acknowledge that people were bothered by the handling of the lore/stories (to potentially mention they could course-correct/ rethink their plans) but instead they doubled down on everything that they did and even 'justified' some decisions. They doubled down on the Executors, Solas's changing motivations, the destruction of Southern Thedas, and the elves/Solas being at the heart of everything etc...

This AMA basically confirmed that the only reason they did what they did to the south was for a reset -> It's not a compelling or fulfilling narrative to have everything we've done reset back to ground zero off-screen. BioWare games differentiate themselves from other RPG's by their import system from previous games - it was compelling and exciting! With DATV they set the expectation that BioWare can outright throw out entire games worth of choices/build up, not solely retcon them.

Justifying your choice to water down the lore/world of your story by saying you'll address it in the 'next game' does not instill me with confidence, BioWare! It doesn't explain that lack of it in this game either!

They avoided every question that, rightfully so, pointed out the misleading comments made by devs in the pre-order period of the game:

the fact that there were only 3 imported choices from previous games was leaked by a reviewer -> BioWare was vague from the start about choices

that this game was the most 'romantic' in the series

that world states/ headcanons wouldn't be disrespected

that there are 'lore' reasons for bad darkspawn design

that there are lasting, impactful choices/consequences to be made in this game

that the lore/world was not watered or toned down

that companions are deep and you can disagree with them etc...

BioWare's behavior towards their customers in the lead up period to this games release was downright scummy. I absolutely felt misled after playing the game for myself and recalling what I read in interviews put out. While EA is undoubtedly poison, you can't hold them solely accountable for this.

I feel for the individual developers who worked on this in what was undoubtedly a toxic environment from EA - but I feel that it's pretty clear that BioWare itself has a lot of problems within and in their leadership/executives. Working for EA does not give them an excuse to mislead their customers.

------------------------------------------------------------------------------

I already had a very grim outlook on the franchise from the end of DATV but this literally look my interest out the back and sent it to God. What a disaster.

[ikeameatballspoisonedme]

Just in case people still believed Locust City was an elaborate prank, ZA/UM confirmed that it was real

[felassan]

New interview video from TheGamer: 'Exclusive Interview with The Directors of Dragon Age: The Veilguard'

"Will there be returning characters? Will the light prevail against the darkness? Will our comic book and graphic novel knowledge of Dragon Age finally come into play?"

[source]

The video has some footage from the DA:TV booth at SDCC.

Info from this video:

More will be shown of the skill trees over time

"We have 700 new unique characters to talk to"

This may be the biggest game they've ever made

"Rivain, that more tropical feel. Something we've never really been able to do before in Dragon Age is, what does the coast of Rivain look like?"

Lots of love has been poured into how the areas look. They all look and feel different, but also coherent and consistent with the style of the game as a whole

The writers did a good job of finding the light in the darkness of this story

Just after timestamp 5 mins 0 secs, John says Emmrich's surname Volkarin aloud

Emmrich's character design is kind of like the more classical, Hollywood actor type

On returning characters, they're excited for people to see them, especially in the context of how 10 years have passed in-world since the last DA

Each choice in the game, especially the major ones, has significant consequences on gameplay, what content is available to you, and also how characters in the world regard you. "No choice should be easy, we never want to make players feel like there's a right choice. There's always going to be a consequence, some that you don't expect, and some that change the world in real ways"

On casting - Ashley: "Casting is a collaboration. The ensemble that the companions create was basically where we started. We put the character art on the wall, we saw the writing, we auditioned vastly and we assured that the cast was very dynamic and complimenting, and opposing, to each other. We spent a lot of time in getting those companions the juiciest they could possibly be"

The acting talent was cast across 5 years

[thanatika]

pathologic classic is all 3 at once depending on which npc you talk to